You can sell what you know as hours, as a package or as a product, and today you choose one
Someone out there probably already has your idea, and honestly, that's fine. People buy the way you do it, and they buy from someone they already trust. Today you'll choose a format for what you know, decide what's included and what isn't, and put it all on one page that a stranger gets in five seconds.
Learning outcomes
Rate yourself now, and again at the end of the lesson.
Guess first
A marketer tells an educator to start with something cheap, so that people get to know her and trust her. What she really sells is expensive: curriculum development, teacher training and consultancy. Which of these brought her clients?
Watch
Read · about 7 minutes
If you searched for your idea in Week 2 and found someone already doing it, please don't panic. Robert Merton (1961), a sociologist of science, collected cases where two or more people made the same discovery independently of each other, and he argued that this happens all the time. The same idea simply arrives in many heads at once.
And being first doesn't protect you much either. Golder and Tellis (1993) went back through the history of 50 product categories, from disposable nappies to personal computers, and this is what they found:
These are big companies and old markets, so don't take the exact numbers too literally. But think about two teachers who both run "AI workshops for schools". The school will buy from the one whose example made sense to them, who answered their email the same day, and whose face they'd already seen ten times on LinkedIn. So put your energy into how you'll do it, and into making sure people know you before you ask them to buy.
Choose a format
Lynn Shostack (1977) argued that most offers are a mix of service and product. So picture a line: on one end there's pure service, where it's you in the room, and on the other end there's a product that works without you. The hours below are only an illustration, and they include preparation, travel and all those messages.
| The same expertise as | Your hours for one more customer | What the customer gets |
|---|---|---|
| 1:1 coaching, six sessions | About 9 | All of your attention |
| A workshop for a team of 10 | About 1 each | Live training and shared questions |
| A cohort course of 12 | About 2 each | Structure, peers and some feedback |
| A materials pack or licence | Close to zero after the first copy | Your materials, without you |
A marketer I used to work with told me to start with something not very expensive, so people get to know me, buy it, and trust me. So I built my consultancy product and Teacher First Aid. And what can I tell you? What I actually sell is my expertise in something expensive: curriculum development, teacher training, consultancy, my hours helping someone write their book. It's a completely different price. The small products just didn't work for me. What works is the free stuff, and by free I mean my social media. People watch what I make, and then they decide to work with me or not.
There's research that fits my experience. In a review of 36 studies, Rao and Monroe (1989) found that buyers use price as a clue to quality, so a higher price makes people expect a better product. Those studies were about consumer goods, not consultancy, but if what you really sell is expensive expertise, a cheap side product can send people the wrong message about you. So where on the line is your real offer?
What's included and what isn't
A productised service is a service you sell like a product, with a fixed scope, a fixed price and a fixed time frame, all written down before the client even asks. It's an idea from practice, popular with consultants and designers, and the best-known book about it is John Warrillow's Built to Sell (2011). A package needs six lines, and the one almost everybody forgets is the last one: what's not included. Here's a real package from my own business, the retainer I offer after every curriculum project:
My first client as a business, I was super excited. She started asking me for a lot more than she paid for, and she didn't see why she would pay for it. I agreed to do it. It was awful, I felt used.
On a recent project the client asked for more again, and this time I said: for the scope you're asking for, it's an extra 2,000 euros. And you know what? They said, "Okay, that's fair." It depends on the situation and how you justify it. And honestly, it also depends on the morals of the client.
Your personal brand
I know, "personal brand" sounds like something for influencers. But Gorbatov, Khapova and Lysova (2018) reviewed 100 studies and defined it much more simply: a strategic process of creating, positioning and maintaining a positive impression of yourself, based on your own mix of characteristics. They also point out that social media made this a job for ordinary professionals too, and teachers have so much to show.
Social media also changes the order in which selling happens. Before, a stranger saw your offer first and then had to decide whether to trust you. Now people can watch how you think for months before they ever see a price, so when they finally write to you, a lot of the trust is already there. In Edelman's 2025 survey of about 15,000 people in 15 countries, 80% trusted "customers like me" as a source of information about brands, and only 58% trusted influencers. So you don't need to look like an influencer. Show your real work, the way you would show it to a colleague.
And if you don't have clients to show yet, you can still show your work. This is what I did:
For my first buyers I worked on my portfolio really rigorously while I was building my website. I took samples from my previous work and remade them in a different style, with different everything, so no copyright or NDA was broken. Historical reconstruction, basically. It helped a lot. The portfolio plays one of the key roles here.
Before and after your offer
Think about the ecosystem around your product or service from the very beginning. Someone lands on your website or sees you on social media, and they get the hook. Then there is free information, and they want more, so there is this, and this, and that. It's not only one service or one product. It can be something people buy and then come back to, like a subscription, or something to return to when they have a new problem, or the same problem comes back.
Marketing researchers call this the customer journey. Lemon and Verhoef (2016) reviewed the research and described three stages, before, during and after the purchase, and they show that what happens after one purchase feeds into the next. And step 4 is often where the money is. Gupta, Lehmann and Stuart (2004) estimated that keeping 1% more customers raised a company's value by about 5%, while finding new customers 1% more cheaply raised it by only about 0.1%. They studied big companies, not a teacher with a laptop, but you'll see it yourself: finding a new client takes many more hours than working again with someone who already trusts you.
You don't need to build all four steps now. Just write down what comes before and after your offer, so you know where it fits.
One page
We experts are really bad at noticing our own jargon. In experiments by Camerer, Loewenstein and Weber (1989), people who knew more couldn't switch that knowledge off when they guessed what less informed people would think. Words like "formative" or "scaffolded" feel completely normal to you, and a parent or a finance officer has no idea what they mean. You won't catch this by rereading your own page, so you need someone else to read it, and quickly. That's the five-second test from usability work (Perfetti, 2007): you show a page for five seconds and then ask what it was for.
There was so much misunderstanding about what I do, because I couldn't put it in one sentence. That was a problem. So now I tell all my students, and every colleague who asks me how to present themselves: you should be able to say it in one sentence. What you made, for whom, and what problem it solves. As simple as that.
Your turn · 15 minutes
Fill in the six lines, what's not included, and what comes before and after. If you did Lesson 3.1 on this device, your offer, your buyer, their biggest pain and the result they want are already there from your canvas, so just change them if you need to. For the price a first guess is enough, because we'll work on pricing in Week 4. Then press the five-second test, hand your screen to someone, and see what they remember. You might be surprised!
How to fill it in
Concentrate on three things: a "who" narrow enough that you could find these people on LinkedIn this week, an outcome they can measure, and a "not included" line you're ready to say out loud.
Ask yourself three questions. How many hours a week do you really have? How much of you does the buyer need to get the result? And how soon do you need money from this? If you need income soon and have little time, a workshop or a small package usually works better than building a product first, because a product takes months before it sells.
Write a role and a context, not a category. Weak: "teachers". Strong: "heads of maths in secondary schools in the Randstad". If the buyer and the user are different people, write both.
One problem, in their words, taken from your canvas. If you need "and" to describe it, you probably have two offers.
What's different afterwards, with a number or a time frame: "more pupils answer every question in the next test", "your team plans a week of lessons in two hours". Avoid words like "empower", "inspire" or "transform", because nobody can check them.
Count it: how many sessions, how long, online or in person, which materials. The buyer should be able to picture their calendar.
A first guess is fine for now, but say what it's for: per school, per teacher, per month. We work on the real price in Week 4.
Only true things: a result from your own classroom with numbers, a quote from someone who tried a pilot, a remade portfolio piece, a relevant qualification. One strong piece of proof is better than four weak ones.
Think about what clients will ask for that isn't in the package: extra sessions, individual coaching, changes after delivery. Write those down, and decide now what you'll say or charge when they ask.
Before: where they see you first and what they can get for free. After: what they can buy next, or come back for when a new problem comes up.
Before you finish, check: read your one sentence out loud, could a stranger repeat it? · is every line something your buyer would understand without you explaining it? · is there any teacher jargon left?
Format
The Twinkl example uses only what Twinkl shows publicly, the same business as the canvas in Lesson 3.1. Look at the "not included" line: I couldn't find it on their site, and it's a line many businesses skip.
Your checklist
Emilia's tips
Check yourself
Go deeper, only if you want to
You don't need any of this to finish the lesson. Open whatever you're curious about, or come back to it later.
Zeithaml, Parasuraman and Berry (1985) described four features said to separate services from goods: you cannot see a service before you buy it (intangibility), quality varies between days and providers (heterogeneity), it is made and used at the same moment (inseparability), and an empty slot cannot be stored (perishability). Lovelock and Gummesson (2004) argued that these do not hold for many services: a recorded lesson is stored, standardised and used without you. For you, each feature is a design choice. A written package makes your service less invisible, and a recording makes it less perishable.
Ries and Trout (1981) argued that buyers file every new offer under one simple label in their head, and compare it with what they already know. April Dunford (2019) breaks positioning into five parts: what the customer would do without you, what makes you different, the value that creates, the customers who care most, and the market category that makes that value obvious. "Training for maths departments" is easier for a school to file than "a wellbeing approach".
Alter and Oppenheimer (2009) reviewed research on processing fluency, the feeling of how easy something is to read. Across many studies, people judged easy-to-process material as more true and more likeable. A dense one-pager costs you twice: it is harder to understand, and the offer itself is judged less kindly. These are lab findings about quick judgements, not proof that a clearer page sells more.
Cialdini (2021) lists social proof among his principles of persuasion: people look at what others have done before they decide. Proof persuades whether or not it is accurate, which is exactly why yours has to be true.
In the EU, copyright protection is automatic and needs no registration, according to the European Union's Your Europe portal. Whether materials you made as an employee belong to you or to your school depends on your contract and your country's law. This is not legal advice: check both before you sell or license anything, or remake the work from scratch as Emilia did.
Your library
A short business story about turning a service that depends on you into a package anyone can buy.
See the book →How to position an offer so buyers get it quickly.
Read the author's quick guide →The study behind "being first does not save you".
Read the PDF →What 100 studies say a personal brand is, free to read.
Read the article →Hover over a book to see what it is. On your phone, tap it.
Sources
Your garden
After this one there's only one more plant left in Week 3. Before you water it, scroll up and rate yourself again on the two outcomes.